
From desert to palm trees, mountains to plains – it’s amazing to find so many different topographies in such a small country. When you travel to Georgia for the first time, you will undoubtedly hear the story about how Georgians ended up on this beautiful land. There are different versions, but the idea is, that, when God divided the earth into countries, he called out for all people to come and stake their claims.
Once all was set and done and God wanted to relax, he discovered a man resting under a tree, who didn’t take part in the hustle and bustle before. When God asked him why he wasn’t interested in a homeland for himself, the man replied, he was happy the way things were and that he would be content with whatever God had in mind for him. Impressed by the friendliness and effortlessness, God offered him the paradise he had reserved for himself, which then would become Georgia.




Tagveti (“Village of the Mice” in English) is where Natela Grigalashvili was born and raised, and Village of the Mice is a personal project about memories of her village as it used to be. She left when she was 16, two years later she started photographing with a borrowed camera, and since then she has been photographing her village.


This brings back a day last September when I was traveling to the occupation line separating Georgia from its former autonomous region Samachablo – now mostly known as South Ossetia or Tskhinvali Region – with members of a group called „Power is in Unity“.
It is where I met Mikhael, David, Alexandra, Lasha and others of the movement. They told me about their cause, that they would be going to the occupation line every day to monitor military movements on the other side, to show presence – and to raise awareness for the situation. Their goal is to reach a point where there’s room for top-level political talks which should ultimately be leading to the unification of Samachablo with Georgia.






Welcome to the new web site for our photobook project „Tamar, where are you?“ – an exploration of the country of Georgia through the eyes of one German and seven Georgian photographers as well as three Georgian writers.